Tag Archives: Calabar Imports
Fall 2015 is more than I can handle! NEW BOOK/WORDS SUNDAY
But handle I must. Many readings and events for my new book A Lucent Fire: New and Selected Poems, starting with Women Writers in Bloom Poetry Salon on September 20. Cheryl Boyce-Taylor has asked me to feature at The Glitter Pomegranate new space at the Bedford Y with Gregory Pardlo and Lynne Procope on the 25th.
During that time I will be finishing up The Future Imagined Differently issue of About Place Journal. It is going to have interesting art, writing, music–it will go live the first week of October.
And starting on October 25, WORDS SUNDAY returns to Calabar Imports Bed-Stuy on Tompkins Avenue which is becoming a nice place to walk about –new bars, restaurants,boutiques, but I miss Mr. Jimmy’s wonderful old fashioned variety store which was hijacked by developers. Indeed, there has been a lot of developers hijacking of space and time and beauty in this neighborhood-the “new builds” are uniformly boring, bland, sad and they all charge too much. The mostly young White people who give away considerable chunks of change for these boring, bland buildings are not hipsters or particularly hip they just look sort of generic as a White guy I heard describe a White woman on the train the other day. I was surprised. But its 2015 and the ways in which things shape shift are definitely on the unexpected side. First up: JP Howard and Nicole Callihan.
WORDS SUNDAY has presented in Bed-Stuy: Pulitzer Prize winning poet Gregory Pardlo; brilliant poet/performers: Janice Lowe, Alexis DeVeaux and Tai Allen. Plus poets: Rachel Levitsky, Michael H. Broder, Terence Degnan, Soraya Shalforoosh; Ekere Talle, Jason Schneiderman, Jacqueline Jones LaMon, Robin Messing, Renato Rosaldo, LaToya Jordan, R. Erica Doyle, Alan Felsensthal, Jacqueline Johnson and Janet Kaplan. I love that all of them either currently do or have lived/worked in Brooklyn.
I hope to see all kinds of great people at events I participate in or curate–It is a blessing to make work that people want to read and hear.
And I am deeply pleased to have my work in the great mix of work that is out now. White Pine Press has done a great job with my book and Sandra Payne’s art work sets the tone.
on recent curation–WORDS SUNDAY
One of the best things about being a poet is that I am also a reader and a listener. And like many other readers and listeners, when given the opportunity, I enjoy organizing readings. Atim Oton, an entrepreneur and in her own way community activist decided to open a “Pop Up” of her store, Calabar Imports, in Bed-Stuy near my home. So I took the opportunity to create WORDS SUNDAY. A Fall Schedule ended with a great reading by Gregory Pardlo from his brilliant second collection, Digest which recently won the Pulitzer Prize and Alexis De Veaux who’s amazing career includes poetry, fiction collections, and an important biography of Audre Lorde. The Spring events started with younger, emerging poets Terence Degnan and Soraya Shalforoosh. Soraya, while volunteering with Four Ways Books asked me to read for their series a week before 9-11. Poets are elephants, we remember especially the kindnesses of our colleagues. And the final event in June included Janice Lowe, who I asked to start the entire series; Tai Allen and Ekere Tallie–they were lively and we had a great conversation about the continuing influence of the Black Arts Movement. I am proud of my work as a curator and hope to do more of this part of my work. Some pictures from WORDS SUNDAY, Calabar Imports Bed-Stuy Pop-up Brooklyn New York.
2014 LIVING IN THE LOVE ECONOMY/THE FUTURE IS IN OUR HANDS
This is a year when airplanes dropped out the sky and just disappeared. Where Russian troops in Crimea pretended to not be Russian troops in Crimea. Where ACA almost died under the weight of lousy internet interface. It is a year with news of horrific rape, murder and abduction and it ends with rape allegations against an aging comedian. It is a year when
a generation of poets, activists and actors in their 70s, 80s and 90s left us and where younger ones died by their own hand or via drugs. It was a year that seem to to be like a over heated dressage-many obstacles to leap over; many traps to gallop through. This is the year I learned to be used to be an orphan, a position I so do not like being.
All of those awful, terrible, scary things were backdrop to what may be one of my most productive and accomplished year:
I have a new chapbook, Living in the Love Economy from Overpass Books, young people who are graduates of Long Island University–they studied with Lewis Warsh, who was on of my first poetry instructors when I came to NYC in 1974! The book launch at Berl’s was well attended and I was able to get Anselm Berrigan and Erica Hunt to share the spotlight. I thank them all.
Poems were published in The Cataramaran Literary Reader, The Recluse from The Poetry Project and The Mas Tequila Review.
Serious literary interviews were made with me by Lewis Warsh for The Otter and Rochelle Spencer for Mosaic and The Brooklyn Poets interviewed and featured me for the Brooklyn Poet of the Week (that was fun). The most interesting interview was actually a dialogue with Afaa Michael Weaver for the Furious Flower Poetry Center’s archive. And after harrassing, well gently needling Metta Sama, she pulled together this extraordinary convo that Monica Hand, Tracy Chiles McGhee, Raquel Goodison and Ruth Ellen Kocher on women’s creativity, artistic production and well read it at http://theconversant.org/staging/?cat=782.
Rich Blint of Columbia University asked me to participate in a panel for the The Year of Baldwin portion of The Harlem Bookfair. Aimee Meredith Cox moderated the panel and I have to say again that she may have been the best panel moderator I have ever encountered. It was a lively and fresh conversation between me, Christopher Winks and Kiese Laymon. And earlier in the year I participated in the National Black Writers Conference at Medgar Evers College–that was fascinating esp. seeing Derek Walcott up close.
I blogged for the “Harriet” blog for the National Poetry Foundation in September. What did I know that in September the #Ferguson protests would start up; that I would have some impact on supporting the work of activists or that I’d write up Maya Angelou’s Riverside Church Memorial or that I’d talk about Sonia Sanchez’ 80th birthday or have the chance to report on the Furious Flower Poetry Conference with a focus on what happened after the public events took place! Reading and participating at Furious Flower was important for me as a poet, esp. as a Black poet. I also wrote literary reviews for books by Tony Medina and Yuko Otomo and arts reviews on Dawoud Bey and Carrie Mae Weems.
In August I had the great gift of 10 days at the Virginia Center for the Creative Arts where I put together a next to final draft of my New and Selected Poems with the great help of the VCCA staff–thank you again. I got to know Kelle Groom, Nichole Parcher, Joelle Wallach and other poets/composers, visual artists. And in October, I was able to fulfil my duties as a Senior Fellow for the Black Earth Institute and share in the wonderful hospitality of Michael McDermott and Charlotte Taymor in Wisconsin. The BEI gave its first ever award to Joy Harjo who was skyped in for the event–ah technology.
And also at VCCA I completed a commission–a new poem for a literary supplement to the forthcoming re-installment of The Migrations Series, Jacob Lawrence’s groundbreaking work that will be shown at the Museum of Modern Art. I thank Elizabeth Alexander for placing me in this august group. I had written about Lawrence’s work in an earlier poem which Quincy Troupe published in Black Renaissance Noir. It was a great opportunity and pretty scary-like will I pull this off? I did.
And I also worked with Atim Oton who is bringing her CALABAR brand to my hood, Bed-Stuy and so for the popup I developed a reading series, WORDS SUNDAY and it was really successful, But special shoutout to Janice Lowe who was in the first one, I want you back for a larger audience come Spring 2015.
And finally, I did readings for Paul Romero’s Bryant Park Series, most notably a “Lunch Poem” one with Jocelyn Lieu, Lydia Cortes, Jessica Greenbaum and Sharan Strange. And with Mark Statman for Neil Silbrerblatt’s Voices in Poetry series in Katonah. Rowan Ricardo Phillips brought me to SUNY Stony Brook, where June Jordan and Cornelius Eady advanced contemporary poetry. Getting to know Rowan and his work has been a boon. Also read “The Day Lady Died” for the Frank O’Hara Lunch Poem Publication Anniversary event at the Poetry Project. And at the end of the year I read at KBG with Shanna Compton–it was a night rich with verbal fireworks and deep emotions. There was more, but it’s cold. It’s December 31. It’s time to sum stuff up.
I know that much of this year has been about violence, danger, death and protest. I am sad about the danger, death and violence, but I am so pleased that protests are underway and not just here from Mumbai to Santiago Chile to Hong Kong to St. Louis, Missouri young people are awake and demanding their future–not one of fewer economic prospects, more debt; tyrannical police, environmental degradation; expensive consumerism and shoddy services–but one that may be more equitable, caring and creative. The world has always been violent and dangerous, but cynicism simply keeps whoever is in power in power. I thank young people for starting to say nada mas, no more. Yes #blacklivesmatter, Yes #afutureisinourhands. 2015 HERE WE COME.
Scorpion to Horse–November
November was an amazing month. I organized and curated a literary program at Calabar Imports in Bed-Stuy on Tompkins Avenue, which received some local press. http://www.bkmag.com/2014/11/04/crossing-border-in-the-brooklyn-literary-scene-with-poet-patricia-spears-jones/
What was great to me was that each Sunday different voices brightened an already very colorful space. Janice Lowe and her actor friends performed a variety of pieces that she has written words or music or both for. Uche Nduka showcased how cosmopolitan African writers often are. Michael Broder and Rachel Levitsky called their event the “queer Jewish poets” reading. Cheryl Boyce Taylor and Jason Schneiderman opened up about grief and writing doing the Q&A and on November 30 was simply sublime. Alexis De Veaux and Gregory Pardlo read from their new works which are brilliant and the Q&A gave great insight into their process. I was so pleased to do this. And so grateful for their words.
I also read with Monica De La Torre at Pace University and Charles North’s introductions for both of us was beautifully crafted. and I really loved being a Brooklyn Poet of the Week. http://brooklynpoets.org/poet/patricia-spears-jones/. Thanks to Jason Koo, et al. And I led a great workshop at Poets House–one of my students is a budding rapper.
All of these great things are back drop to the the awful events in the past two weeks of November–Thanksgiving was difficult for people across the U.S. While I did not think Darren Wilson would be indicted since it was clear that the apparatus for organized to get a non-indictment. But the lack of indictment of NYPD officers for the death of Eric Garner was even more enraging. So with that I am so thankful for the PROTESTS that started in Ferguson and have been led by young people. And that close to 200 protests took place after the non-indictment in Missouri and the hundreds of protests around the globe after the Staten Island decision is so powerful #BLACKLIVESMATTER as a hashtag reminds everyone that all lives matter, but when Black lives are so easily destroyed believe you mean everyone’s life is in jeopardy. The militarized police; the corporate character of political leadership; the refusal to legislate immigration reform; the continuing destruction of public education and the recent election of the White Privilege Party aka the Republicans will make the next two years extremely challenging. But poets have been up to the challenge. On Facebook, Artists Against Police Brutality/Cultures of Violence have been really useful stitching together many different policies, programs, events and reportage. In the twittersphere,much is being done.
As a Black Poet, I’ve written about the live of ordinary people for years and every once in a while an ordinary person is killed in ways that should never have happened. Michael Brown, Eric Garner, Tamir Rice, Trayvon Martin and countless other boys, men, girls and women should be breathing. Albert Murray would have something pithy about all of this, but one thing he would most likely agree with me: We have much to do in this nation and “trusting” the police is not one of those things.
November is for shutting down
Not running around. Not starting new programs. Not acting like it is always warm and easy and why isn’t it quiet. Well soon it will be-snow mentioned in the forecast, but all there is is a chilly November rain. Despite that I went to Harlem for a program on the Life and Times of Albert Murray at the Schomburg Center. A smallish crowd was there, but what was heartening was a smattering of young people as well as people more of his contemporaries. Good panel, but the best was watching Mr Murray read about “Taking the A Train” that examines the issue of “home”. And of course it was a love letter to Harlem, a place he lived for over 50 years.
Each Sunday now I go to church which has been a great solace–have been missing my Mother a great deal and then I run back home and prepare to host a new series I curate WORDS SUNDAY at Calabar Imports Bed-Stuy Popup. The shop brings some brightness to a rather drab part of Tompkins although slowly Tompkins Ave. is becoming a “destination” for certain types. More and more I feel this neighborhood losing its style, its cool as the hipster types have morphed into Eurotrash or corporate go getters. It makes for odd moments of levity or tension depending. Last week featured Michael Broder and Rachel Levitsky, who on their own called it the queer Jewish reading. So be it. They were great. I particularly loved Rachel’s prose–crafted, learned, funny at times. This coming Sunday Jason Schneiderman and Cheryl Boyce-Taylor. I hope I have enough energy to do them justice.
The other great thing is I got written up in two different places in an article on WORDS SUNDAY at http://www.bkmag.com/2014/11/04/crossing-border-in-the-brooklyn-literary-scene-with-poet-patricia-spears-jones/ and I think it actually brought some people into the store!
And then I got to be BROOKLYN POET OF THE WEEK by Jason Koo and his Brooklyn Poets crew. I got to pontificate and do some shout outs. I said nice things about a former neighbor who passed away and I wrote a poem based on Jay Z’s Brooklyn Go Hard–not something I’d usually do. So check it out http://bit.ly/1zGTOQI.
Did I mention teaching and a great reading at Pace University with Monica De La Torre? No, well did that too. That I am teaching at Poets House? That I wrote a few mini-essays and even did some volunteer fundraising work? Oh November, aren’t I supposed be prepping for hibernation?