progress is not a trick

“We do a disservice to the cause of justice by intimating that bias and discrimination are immutable, that racial division is inherent to America.  If you think nothing’s changed in the past 50 years, ask somebody who lived through the Selma or Chicago or Los Angeles of the 1950s.  Ask the female CEO who once might have been assigned to the secretarial pool if nothing’s changed.  Ask your gay friend if it’s easier to be out and proud in America now than it was thirty years ago.  To deny this progress, this hard-won progress -– our progress –- would be to rob us of our own agency, our own capacity, our responsibility to do what we can to make America better”.  President Barack Obama

Progress is not a trick, but assessing it can be tricky.  I am of an age where I see clearly how much this nation has changed since 1965 and yes there is much un-finished business.  Racism and hatred and violence are those societal elements that we must constantly struggle with.  Justice is often denied, but sometimes justice is made.  Ferguson as our President pointed out is not “unique”–the worst corruption there is is small town corruption.  I know because I grew up in a small town.  But as the President, the Representatives and the still living foot soldiers of the Civil Rights Movement constantly point out, we have destiny in our hands.  To not vote, the pretend that your vote doesn’t matter means to me at least that you give up any right to complain about anything because you have ceded your power and most likely to the very people who will do you the greatest harm.  Black people, progressive people sat out the 2014 elections and see what kind of Congress we got now.

I am tired of people saying well these people are racists and therefore more honest.  I know he’s a thief, so I will vote for him and not complain when he dips his hand in the collective till.  Racists are no more honest than anyone else.  But greed, stupidity, meanness, misogyny and misanthropy reign supreme in the halls of Congress.  But there has been greed, stupidity, violence, et al in the past.  And when it got too bad-the VOTERS through the rascals out.  I have voted in every election but one since I registered to vote right out of college–that means Presidential elections. primaries, school board elections, State and local contests.  All of them in three cities: Atlanta, New York and Boston.  Sometimes my candidates win, sometimes they lose.  But I can complain and praise and put my two cents in with pride.  People died.  Black people died so that I could participate in this democracy, a very far from perfect experiment.

There are terrible things going on in every state in this Union-men and women hell bent on destroying public education; on destroying collective bargaining and unionization not only in the public sector, but the private sector as well–a good way to KEEP WAGES DOWN; on making health care unaffordable and almost inaccessible for poor and working class people;  and policing women’s bodies esp. during childbearing years.  These people hate art and culture and think that anybody or maybe robots should teach.  Of course their children go to expensive private schools.  They will sell of park lands.  Gut the budgets of child welfare offices.  They are there because less than 50% of people show up and vote.  And as long as “progressives” sit on their hands and occupy their grievances these people will do even more harm.  Plenty people talk about revolution and societal transformation, but few are willing to DO THE WORK to make laws; to set policies; to administer them.  And so the right takes more and more control.  The people who were beaten and brutalized by the STATE OF ALABAMA 50 years ago wanted to vote in order to gain power and  make change.  The mayor of Selma is Black.  The mayor of Selma is Black.

many poets at Wilson Hall/Furious Flower PC, Virginia

many poets at Wilson Hall/Furious Flower PC, Virginia

2014 LIVING IN THE LOVE ECONOMY/THE FUTURE IS IN OUR HANDS

This is a year when airplanes dropped out the sky and just disappeared.  Where Russian troops in Crimea pretended to not be Russian troops in Crimea.  Where ACA almost died under the weight of lousy internet interface.  It is a year with news of horrific rape, murder and abduction and it ends with rape allegations against an aging comedian.  It  is a year when

a generation of poets, activists and actors in their 70s, 80s and 90s left us and where younger ones died by their own hand or via drugs.  It was a year that seem to to be like a over heated dressage-many obstacles to leap over; many traps to gallop through.  This is the year I learned to be used to be an orphan, a position I so do not like being.

All of those awful, terrible, scary things were backdrop to what may be one of my most productive and accomplished year:
I have a new chapbook, Living in the Love Economy from Overpass Books, young people who are graduates of Long Island University–they studied with Lewis Warsh, who was on of my first poetry instructors when I came to NYC in 1974!  The book launch at Berl’s was well attended and I was able to get Anselm Berrigan and Erica Hunt to share the spotlight.  I thank them all.

Chapbook from Overpass Books.

Chapbook from Overpass Books.

Poems were published in The Cataramaran Literary Reader, The Recluse from The Poetry Project and The Mas Tequila Review.

Serious literary interviews were made with me by  Lewis Warsh for The Otter and Rochelle Spencer for Mosaic and The Brooklyn Poets interviewed and featured me for the Brooklyn Poet of the Week (that was fun).  The most interesting interview was actually a dialogue with Afaa Michael Weaver for the Furious Flower Poetry Center’s archive. And after harrassing, well gently needling Metta Sama, she pulled together this extraordinary convo that Monica Hand, Tracy Chiles McGhee, Raquel Goodison and Ruth Ellen Kocher on women’s creativity, artistic production and well read it at http://theconversant.org/staging/?cat=782.

Rich Blint of Columbia University asked me to participate in a panel for the The Year of Baldwin portion of The Harlem Bookfair. Aimee Meredith Cox moderated the panel and I have to say again that she may have been the best panel moderator I have ever encountered.  It was a lively and fresh conversation between me, Christopher Winks and Kiese Laymon.  And earlier in the year I participated in the National Black Writers Conference at Medgar Evers College–that was fascinating esp. seeing Derek Walcott up close.

I blogged for the “Harriet” blog for the National Poetry Foundation in September.  What did I know that in September the #Ferguson protests would start up; that I would have some impact on supporting the work of activists or that I’d write up Maya Angelou’s Riverside Church Memorial or that I’d talk about Sonia Sanchez’ 80th birthday or have the chance to report on the Furious Flower Poetry Conference with a focus on what happened after the public events took place! Reading and participating at Furious Flower was important for me as a poet, esp. as a Black poet.  I also wrote literary reviews for books by Tony Medina and Yuko Otomo and arts reviews on Dawoud Bey and Carrie Mae Weems.

In August I had the great gift of 10 days at the Virginia Center for the Creative Arts where I put together a next to final draft of my New and Selected Poems with the great help of the VCCA staff–thank you again.  I got to know Kelle Groom, Nichole Parcher, Joelle Wallach and other poets/composers, visual artists.  And in October, I was able to fulfil my duties as a Senior Fellow for the Black Earth Institute and share in the wonderful hospitality of Michael McDermott and Charlotte Taymor in Wisconsin. The BEI gave its first ever award to Joy Harjo who was skyped in for the event–ah technology.

And also at VCCA I completed a commission–a new poem for a literary supplement to the forthcoming re-installment of The Migrations Series, Jacob Lawrence’s groundbreaking work that will be shown at the Museum of Modern Art.  I thank Elizabeth Alexander for placing me in this august group.  I had written about Lawrence’s work in an earlier poem which Quincy Troupe published in Black Renaissance Noir.  It was a great opportunity and pretty scary-like will I pull this off?  I did.

And I also worked with Atim Oton who is bringing her CALABAR brand to my hood, Bed-Stuy and so for the popup I developed a reading series, WORDS SUNDAY and it was really successful,  But special shoutout to Janice Lowe who was in the first one, I want you back for a larger audience come Spring 2015.

And finally, I did readings for Paul Romero’s Bryant Park Series, most notably a “Lunch Poem” one with Jocelyn Lieu, Lydia Cortes, Jessica Greenbaum and Sharan Strange. And with Mark Statman for Neil Silbrerblatt’s Voices in Poetry series in Katonah.  Rowan Ricardo Phillips brought me to SUNY Stony Brook, where June Jordan and Cornelius Eady  advanced contemporary poetry.  Getting to know Rowan and his work has been a boon.  Also read “The Day Lady Died” for the Frank O’Hara Lunch Poem Publication Anniversary event at the Poetry Project.  And at the end of the year I read at KBG with Shanna Compton–it was a night rich with verbal fireworks and deep emotions.  There was more, but it’s cold.  It’s December 31. It’s time to sum stuff up.

I know that much of this year has been about violence, danger, death and protest.  I am sad about the danger, death and violence, but I am so pleased that protests are underway and not just here from Mumbai to Santiago Chile to Hong Kong to St. Louis, Missouri young people are awake and demanding their future–not one of fewer economic prospects, more debt; tyrannical police, environmental degradation; expensive consumerism and shoddy services–but one that may be more equitable, caring and creative.  The world has always been violent and dangerous, but cynicism simply keeps whoever is in power in power.  I thank young people for starting to say nada mas, no more.  Yes  #blacklivesmatter,  Yes #afutureisinourhands.  2015 HERE WE COME.

Poems for humans’ use

I have always said that April is cruel to poets month.  Poets are reading everywhere. Some are writing a new poem each day–oh you productive ones.  Sometimes, we just post each others’ work on Facebook elsewhere.  It is that feast more than famine moment month.  But as a poet, I am pleased for the feast.   It is good to hear poets as diverse as Cyrus Cassells, , Scott Hightower, Julie Patton, Thomas Sayers Ellis, Anne Waldman, Simone White and that’s just the first two weeks in New York City.  At the end of March, I was pleased to launch my new chapbook Living in the Love Economy Berl’s Poetry Shop, a wonderful space for poetry books and all who read them in DUMBO, beneath the Manhattan Bridge and to attend the Center for Black Literature’s National Black Writers Conference.  I look forward to readings and events in April.  

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photograph by John Casquerelli

This past week I led a Master Class at the 12th National Black Writers Conference at Medgar Evers College and I used “Mourning the Queen of Sunday” by Robert Hayden as the prompt. It is Hayden’s centenary and I envy Tony Medina and others who attended a conference in Detroit at Wayne State University.  Whether it Academy of American Poets poem-a-day; your local library’s Poem in a pocket Day or if in NYC, you visit the luminous as in daylight Poets House in Tribeca, open your mind and heart to the efforts of we would be bards.  You never know what you find there.  Some time powerful, forceful, feelingforce, thinkingforce, beingforce. Poems can generate great light or deep darkness.  That is good.  Poems are human made for humans’ use.

 

2014 Readings and Events

MARCH 2014

March 16  Bowery Women Anniversary Reading

Organized by Marjorie AltmanTesser, co-editor

w/ Fay Chiang, Nancy Mercado, Jan Heller Levi, et al

308 Bowery

1-3 p.m.

$5.00 Donation

Manhattan, NY

 

March 26   Solo Reading  SUNY  Stony Brook

Organized by Rowan Ricardo Philips

Dedicated to Kofi Awonoor

SUNY English Department

4 p.m.

Stony Brook, NY

 

March 28   Reading/Book Party

Living in the Love Economy

Organized by Overpass Books

w/ Anselm Berrigan and Erica Hunt

Berl’s Poetry Shop

126A Front Street

Brooklyn, NY

Free

347-687-2375

 

March 30, NBWC Poetry Talk Shop

National Black Writers Conference

Center for Black Literature at Medgar Evers College

Noon-1:30 p.m.

Free

Brooklyn, NY

www.centerforblackliterature.org

 

APRIL EVENTS

 April 7,  RUTH MALECZECH ART + IMPACT

Tribute to Ruth Malaczech

w/ Lee Breuer, Joanne Akalits, Sharon Fogarty, et al

Co-curated by Dr. Jessica Silsby Brater

6:30 p.m.

Segal Theater, CUNY Graduate Center

34th & Fifth Avenue

Manhattan

 

 

April 13 Housing Works Downtown Literary Festival

Tribute to Alice Notley

Group Reading organized by Alice Whitwam

2-3 p.m.

Bowery Poetry Club

308 Bowery

Manhattan

 

 

April 17,  Dante Alghieri’s Inferno Reading

9-midnight after Maundy Thursday Service

Group Reading organized by Marilyn Nelson, et al

Cathedral of Saint John the Divine

Amsterdam Avenue and 112th Street

Manhattan

 

April 22, Brownstone Poets

Organized by Patricia Carragon

w/ Yuyutsu Sharma, et al

7:30 p.m.

Donation

Café Dada

57 Seventh Avenue

Brooklyn NY

 

April 27, Sunday Salon

Organized by Nita Noveno

w/ Terence Degnan, Kim Friedman & Sweta Vikram

7 p.m.

Free

Jimmy’s No. 43

43 E. 7th Street

Manhattan

www.sundaysalon.com