what perseverance brings aka poem with “legs”

broadside Kelly Writers House

broadside Kelly Writers House

Today I received this beautiful broadside from Kelly Writers House, for my program on April 21.  The poem, “Self-Portrait with Shop Window” is in A Lucent Fire: New and Selected Poems.  It is one of the poems that was not published, indeed it was rejected several times.  But I knew that it was a powerful poem and represented my work at its most complicated and so Dennis Maloney agreed that it should be in the collection  And now, it is in Best American Experimental Writing 2o16 from Weslayan U. Press–http://www.wesleyan.edu/wespress/bax/ edited by Charles Bernstein and Tracie Morris.

Sometimes you have a poem, a song, a play, a book that seems to find no love in the current marketplace.  It could be that your ideas are just ahead of  or seemingly behind everybody elses.  Who knows.  But if you really think that poem, song, play or book is worth the talent, the time, the effort it took for you to make it–well that’s where perseverance is what you have to have.  Poetry, art making may be easy for those who are clever, but for most of us it is challenging, enthralling, mind enhancing or mind blowing depending and you just have to honor that crazy love for your work and keep on pushing.

I enjoyed the way the Kelly House artists selected parts of the poem and highlighted its fragmentations.  Now my home has a large and beautiful broadside of this complex poem.  I love where it is placed in A Lucent Fire.  I love that it will be in Best American Experimental Writing.  I loved the poem has legs.

Book tour comes back East-Philadelphia in April.

Charles Bernstein and the terrific people at Kelly Writers House at UPENN invited me to read and chat in Philadelphia in April.  It was the perfect thing to do during April is Poetry Month.   I like Philadelphia.  I’ve encounter interesting art exhibitions, vistas and hang with lovely people like Liz Abrams-Morley a fellow poet.  We went to an installation years ago at the Eastern State Penitiary, one of America’s gifts to world culture, i. e. prison design. The cells of this prison visited by dignitaries in the 19th century set the standards for solitary confinement.  The installations were amazing and that is when I discovered the powerful work of Homer Jackson, a Philadelphia-based artist and activist.

So this April I headed to Philadelphia early Thursday morning April 21 on the Amtrak and when I went in search of the cafe car, I ran into Latasha N. Diggs!  She too, was on her way to Philly to perform.  I felt like a real touring professional-that’s the first time I ran into a fellow poet/writer/perfomer.  She looked great.

on the train 4-21-16

on the train 4-21-16

It was a full day for me. First, Charles Bernstein’s class at UPENN.  They had some very complicated questions which I answered during a radio recording for “Close Reading”  http://jacket2.org/commentary/patricia-spears-jones-close-listening.   Then later I joined Charles,  Al Filreis, the KWH Faculty Director, and Yolanda Wisher in a discussion of Akilah Oliver’s poem “is you is or is you ain’t” for Poemtalk.  Ms. Wisher is now the Poet Laureate of Philadelphia and she is brilliant, attractive alnd energetic.  She’s going to do great things. It was a lively conversation about Oliver’s poem.  It also showed how much she is missed given her untimely death.

Finally, I did a reading at the Kelly Writers House.  Jessica Lowenthal and her crew were really helpful.  And we had a good audience on a very powerful allergy hitting day!  I gave one of my best readings because the audience truly listened.  One woman came early and she seemed to have the best time.  It feels like I left my voice in Philadelphia.

It is good to go out and read work to people who are interested but are for the most part strangers.  Too often we really do preach to the choir.  Our voices as poets need to reach as many listeners as we can.  They are there and they offer us advice, support and surprising insight.  My A Lucent Fire tour has been one of the best things I’ve ever arranged.

and yes, later we found that Prince has departed.  So the radio played great music and on tv, images of the always fashion forward Prince multiplied.  I wrote about his first major label album when I had a music column for Essence back in the 1980s and yes I loved what he was doing even then. He influenced my generation of poets and the subsequent ones.  Thank you Prince, gylph

Charles Bernstein

Charles Bernstein

and all.  Am sure Charles Bernstein agrees and if he doesn’t –well that’s my generation.